Andy Stott - Luxury Problems - Modern Love

Following on from a pair of Extended Players released in 2011 (Passed Me By / We Stay Together), Andy Stott returns to Modern Love with Luxury Problems, an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andys onetime Piano teacher whom he hadn't seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened – but after almost a year of studio work, the result is really unlike anything you will have heard from him before.

‘Numb’ opens the album with Alison’s voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. ‘Lost and Found’ follows and deploys a growling rave bassline and a disturbing vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. ‘Sleepless’ started life as an African drum edit that sooner or later succumbed to Stott’s intense rhythmic shifts. It’s a sound that’s been imitated countless times since the release of ‘Passed Me By’, here re-tooled and re-built for its next evolutionary phase. ‘Hatch The Plan’ ends the first half of the album with some heavily treated location recordings and a low-end grind that probably doesn't quite prepare you for the vocal arrangements that follow – it’s just a beautifully inverted pop song. The second half opens with ‘Expecting’, the most recognizably ‘Stott’ moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at half speed; those heavy kickdrums sucking in everything around them. ‘Luxury Problems’ is next and offers up the album’s most quietly euphoric and open 5 minutes; conventional arrangements and drum loops disrupted by sharp disco bursts that mess with what you know: it’s straight and beautiful and unbalanced and damaged, somehow all at once. “Up the box” switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it’s going to go off, before “Leaving” finishes the album with an almost unbearably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant

On Luxury Problems, Mancunian producer Andy Stott builds on the knackered house and techno sound showcased in last year's brace of brilliance, Passed Me By and We Stay Together. The album will contain eight tracks recorded in the last 12 months, with five of the songs featuring vocals from his old piano teacher who Stott hadn't seen since he was a teenager in 1996, with the opening track "Numb" seeing her looped and layered vocals exuding a cinematic quality. The paranoid, dense, slow-moving qualities that Stott has made his signature remain, but they've been toyed with and manipulated, and the vocal elements feel like a calculated gamble - one that has truly paid off. Modern Love go all out on presentation too, with Luxury Problems arriving in a superb gatefold sleeve. Highly recommended.